The art scenes of the postwar United States and Eastern Europe have been rarely viewed within a shared framework. Rather, art history writing has captured the post-war decades in Terms of an
ultimate difference between artistic styles and cultural politics in the two opposing political
blocs. With a view to displacing Cold War-indebted narratives and superseding traditional art
history’s center-periphery frameworks, the traveling seminars explore the relationship between
American art and events, developments and debates within the art scenes of East, Central and
Southeastern Europe during the Cold War and in the post-socialist period. Exploring various
»subtexts« defining art making both in North America and Eastern Europe, Linking Art Worlds aims
to shed new light on telling differences and tease out hitherto lesser ocknowledged parallels,
connections, or synchronicities between the U.S. and East European contexts.
+++++++
PROGRAM
May 13-14. 2022
Location: Prague
Technologické centrum Mikulandská of the Academy of Arts, Architecture and Design / UMPRUM (Mikulandská 134/5, 110 00 Prague 1 — Nové Město)
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DAY 1
Friday 13th May
Opening of the symposium
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5.30 pm
Coffee, tea & welcome
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6 - 7.30 pm
Roundtable discussion with contributors to the volume "Hot Art, Cold War — Southern and Eastern
European Writing on American Art"
participants:
Karel Císař (UMPRUM, Prague)
Stefana Djokić (University of Edinburgh)
Filip Lipiński (Adam Mickiewicz University, Poznań)
Oliver Sukrow (Vienna University of Technology)
moderator:
John Joy Curley (Wake Forest University, Winston-Salem)
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7.30-9pm Drinks reception
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DAY 2
Saturday 14th May
Symposium »Divided by the Iron Curtain...«
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11.30 am- 1 pm Panel 1
Katalin Székely (Blinken OSA / Central European University, Budapest) —
John Cage Behind the Iron Certain
Magdalena Nieslony (University of Vienna) — The Problem of Language in Polish and American
Time-Based Media of the 1970s
chair
Beáta Hock (GWZO, Leipzig)
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1-3pm Lunch break
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3-4.30 pm Panel 2
Angelina Lucento (Helsinki) — Eastern European Socialism and the Politics of Black Art in the 1960s and 1970s
Radina Vučetić (Belgrade) — Coca-Cola Socialism in Yugoslavia
chair
Tomáš Pospiszyl (Academy of Fine Arts, Prague)
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5-6.30 pm Keynote talk and Q&A
Filip Lipiński (Poznań) — Polish Abstract Painting in the 1950s and 1960s
Revisited: The Question of the American »lnfluence« and Reception
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This program is made possible with support from the Terra Foundation for American Art and from the
Getty Foundation through its Connecting Art Histories initiative.
+++++++
Organizing institution: Leibniz-Institute for the History and Culture of Eastern Europe (GWZO)
Concept: Beáta Hock (GWZO, Department »GIobaIisation and Entangelment«)
Organization: Kati Simon, project coordinator
Jitka Šosová, coordination Prague (UMPRUM)
Ines Rößler, Julia Kuhre (GWZO Department »Knowledge Transfer and Networking«)
Information on participating / attending:
beata.hock@leibniz-gwzo.de
Date:
05/13/2022 17:30 - 05/14/2022 18:30
Event venue:
Location: Prague
Technologické centrum Mikulandská of the Academy of Arts, Architecture and Design / UMPRUM (Mikulandská 134/5, 110 00 Prague 1 — Nové Město)
Prag
Czech Republic
Target group:
Scientists and scholars, Students
Relevance:
international
Subject areas:
Art / design, Cultural sciences, History / archaeology
Types of events:
Conference / symposium / (annual) conference
Entry:
04/28/2022
Sender/author:
Virginie Michaels
Department:
Presse- und Öffentlichkeitsarbeit
Event is free:
yes
Language of the text:
English
URL of this event: http://idw-online.de/en/event71479
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